My field started with figurative modelling. I was unsure what to expect when I first signed up for this field, but I am extremely happy with the outcome of the whole project as it led to some of the major techniques used in my subject project. Clay is something that I have used before, but nothing to the extend in which I had to use it in this project. I learnt many techniques and different ways of manipulating, constructing and building with a variety of clays. Although, during the couple of months, I realised that me and clay weren’t the best of friends; perhaps I was thinking to much of what it could be rather than what it was? Either way, I created more pieces that I was unhappy with, than I was happy with. This did put a strain on my field project but I was able to overcome this by drawing with charcoal. By using Charcoal and paper, I was able to try new ways of drawing, such as, 20 second drawings, drawing with expression, life drawing and so on. This connected my field and subject and made me take a different and more exciting path for my subject work. In the end of this field, as a group we made a collaborative final piece which went on display in the foyer of the CSAD building. This was something that I had never done before, and working as a team can be a challenge but luckily I was paired up with some amazing people who I can now call friends. Our final outcome was delicate and narrative. We all contributed 1 or 2 pieces of art, whether it was 3D or 2D. The feedback we got from our collaboration went really well and not only this but we were commended for our teamwork.
Preparation for our 8 day trip to Morocco started before Christmas, We were asked to research Marrakech before our arrival at the end of January. The few weeks before the trip, I was extremely nervous and didn’t quite know what to expect, despite conducting research throughout Christmas. the sessions were compact with preparation for this trip, including lectures and workshops. Alas, I felt nothing could prepare me for such an inspirational, once in a life time trip. The week of the trip, and I learnt so much from being in a culturally different environment. The colours, smells and people were so different to our life in the UK and at times it was quite overwhelming. The market places were phenomenal. People everywhere, bartering and cat-calling the people that walk past there stalls. The roads, packed with cars, donkey/horse carts, motorbikes, all pushing past like they were desperate to get somewhere (most of which would have definitely been illegal in our own country).
Whilst I was there I came across the Jinn, which had been mentioned from time to time and could be seen in peoples day to day life. At the Hotel, rose petals were placed on the sinks, fountains and toilet lids to keep the Jinn at bay. The Jinn, I soon learnt, was a mythical creature that was found in the Quran. They are mischievous creatures that cause havoc on the people and can only be kept at bay with an offering of rose petals. I found this extremely interesting and I knew from that moment, that I wanted to continue my field project on this subject. Coming home from this trip, I began researching in to the jinns. The information I found was that they were described as being born from the ashes of fire. This instantly made me want to interpret these creatures for myself. I began testing with materials such as fabric and ink. creating inkblots with the sub-conscious was a key medium in this project and was influenced by my subject and last field project. Further testing with ink and paper, started to influence my subject work as I moved from charcoal to ink.
Both field project had a large impact on my art altogether and I have learnt and experienced so much in the past year. All the techniques have been used their full advantage and I believe they will continue to be useful to my practice.